So between the 3 sets of LUT’s offered in this download you should be able to find a set for most types of lighting with a variety of skin tone renditions. Taking that a step further I have also included an even stronger minus green offset in a further -G2 set of LUT’s. So do please give them a try for a warmer look for skin tones both with LED/Fluorescent lighting and also with full spectrum lighting such as tungsten and sunlight. Playing with these “-G1” LUT’s I have decided that I really like the slightly warmer and even less “Sony” look that these versions of the LUT’s give when shooting under “normal” lighting.
The idea behind these was that they can be used for material shot under lights with a green tint such as many LED or fluorescent light fixtures. While I was at it I also created another set of LUTs with a minus green offset. You will find these new version 3 LUT’s here in the packages below – but please read on…. This can make grading a little easier, especially in FCP-X. However in response to that feedback I created an additional LUT set that keeps the blacks slightly higher. I have received some feedback though that some people feel that the LUT’s may be crushing the blacks a bit too much for them, personally I think the deep shadows gives quite a film like look. I’ve seen quite a few good looking videos produced using them.
Overall most people seem to like them and get some great results. I released my first version of the Venice Look LUT’s a few weeks ago and they have been a big hit.
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